您尚未验证您的电子邮件地址

请注意:Catawiki的用户在使用本网站服务时,应自行了解其所购物品是否符合当地法律法规政策。由此产生的全部法律责任与损失须由用户自行承担。

Neri Baraldi's Album Amicorum (Signed arrangements & autographs by Rossini, Meyerbeer, Gounod, Perosi, Gomes and others) - 1854

拍品参考 19101621

出价有效!

出价竞拍,请先登录或注册新账号。

已有注册账号?

您是新用户?

注册免费账号

等待延期 竞拍已结束 距拍卖开始还剩 倒计时:

手稿, 签名集, 音乐 - 数量: 1 - 签名

状态: 很好
语言: 意大利语
版本: 第1版
出版年份: 1854
书名: Neri Baraldi's Album Amicorum (Signed arrangements & autographs by Rossini, Meyerbeer, Gounod, Perosi, Gomes and others)
书籍的数量: 1
装订: 皮革
额外内容: 签名
物品: 签名集, 手稿, 音乐
物品: 手稿
版本: 原始语言

Liber Amicorum Baraldi Signed Score Rossini Meyerbeer Gounod

(The book has been seen and physically examined by a Catawiki expert)

Rare Liber Amicorum that belonged to the famous 19th century tenor Pietro Neri-Baraldi. Autographs of Rossini, Bottesini, Coppola, Peri, Costa, Meyerbeer, Bolzoni, Gordigiani, Auteri Manzocchi, Mancinelli, Auber, Cossoul, Bazzini, Marchetti, Ponchielli, Gomes, Mazzucato, Faccio, Capulani, Gounod, Coronaro, Thomson, Valetta, Martucci, Catalani, Mascheroni, Heckmann, Clementi, Perosi, Richter, Fischer.

Specifications:

Luxury notebook for music notation, oblong 8vo with 50 music paper sheets with six staves framed by a four-corner gold frame with stylised floral motifs.
Green Morocco leather binding with geometric rectangular engravings that inscribe smooth parts, tumbled parts, and pure gold parts. Restored binding. Spine decorated with four-tile engraving, also decorated with pure gold with due corrugated lozenges on either end. Internal plates and endpaper lined with faux-silk pearly paper. The notebook was made by Lard-Esnault in Paris. The small label inside the front plate allows to date the purchase to one year after 1849.

Size: 15.5 x 23 cm.
98 pages, of which 40 handwritten

The opera singer was born in Minerbio near Bologna, after debuting at the Teatro Comunale of Bologna in 1850, began a bright career that led him to cover many tenor roles and was in contact with the greatest musicians at the time, such as Rossini, Meyerbeer, Gounod, Perosi, Gomes and many many more.

During his career, which reached its peak with his appointment as first tenor at the Sao Carlos in Lisbon, directly nominated by the King Louis I of Portugal, he jealously kept this precious booklet and collected autographs of the musicians whose operas he sang. The result is this wonderful piece of musical history that includes, like a treasure box, little gems of memory of the greatest musicians of the second half of the 19th century.

Giving a sufficient economic value to this liber amicorum is almost impossible, because no coin will ever repay the thrill of diving into its golden pages and getting carried away by the musical kaleidoscope coming from the hands of immortal masters of music.

What is a Liber Amicorum:

The Liber Amicorum originates from the German Festschrift, a term that refers to a collection of writings to celebrate an academic achievement, a special occasion, or an anniversary. The oldest Festschrift that we know of dates back to 1640 and was made to celebrate the 200th anniversary of the press in Europe, by Gregor Ritsch in Leipzig. This type of publication was very much in vogue in the 18th century in academia, and it very often is, depending on the object of the compliments collected, a true gold mine of autographs.

The Liber Amicorum (from Liber = book + Amicorum = of friends), is a Latin term that designates a collection of signatures and congratulations from a more intimate circle of colleagues and friends.

Pietro Neri-Baraldi

Pietro Neri-Baraldi was born in Manerbio, a small town near Bologna, on 1 February 1826 to a peasant family.
His musical studies led him then to debut at the Teatro Comunale of Bologna in 1850.
In 1853 he was first tenor at the Teatro del Corso in Bologna, where he played important tenor roles like Manico in Il Trovatore, the Duke of Mantua in Rigoletto and Ubaldo in Elena da Feltre by Mercadante.
After the success Neri Baraldi moved to Paris, where he performed in the theatre season 1854/1855 of both the Opera and the Theatre Italien in Paris.
From 1856 to 1868 he was often in London, where he played numerous important roles both at the Lyceum Theatre at the Royal Opera House.

Her music career certainly reached its peak with his appointment as first tenor by the King of Portugal Louis I, for which he sang at the Sao Carlo of Lisbon.
In 1863 he married the Austrian soprano Antonietta Fricci (1840-1912) with whom he also had an artistic collaboration, sharing the stage with her.
In his later years he devoted himself to the teaching and had among his best students the South African soprano Ada Forrest - Cherry Kearton.
Pietro Neri-Baraldi died in Bologna on 29 June 1902 at the age of 76.


Autographs:


- Rossini, Gioachino

“Mi lagnerò tacendo” for voice and piano -
3 pages with dedication “a Neri Baraldi - G. Rossini - Passy 22 settembre 1858”


- Bottesini, Giovanni

“Moderato” for piano
1 page with dedication “al suo caro amico Neri Baraldi - Giovanni Bottesini - Bologna 1858”


- Coppola, Pietro Antonio

“Elena e Malvina - Melodramma semiserio”
4 pages with dedication “Pietro Ant° Coppola a Neri Baraldi - Lisbona 1859”
Please note: Coppola was conductor at Sao Carlo of Lisbon during the years in which Neri Baraldi was first tenor.


- Peri, Achille

“Nell’Opera GIuditta” , voice and piano - Milan, 10 March 1866
1 page with dedication “All’Amico Neri Baraldi” - Achille Peri


- Costa, Mario

Variation on “Pur nel sonno almeno talora” by Domenico Scarlatti with text by Metastasio - voice and piano
2 pages with dedication “ à … Neri Baraldi - Souvenir de Mario Costa - Londres 2 août 1859”


- Meyerbeer, Giacomo

Principio dell’aria del Mietitore, cantata dal Signor Neri Baraldi nel Pardon di Plöermel - Andantino
1 page with dedication “Per l’album del Sig.r Neri Baraldi - ricordo a Giacomo Meyerbeer”


- Bolzoni, Giovanni

Brano d’un Minuetto - Tempo di minuetto comodo
1 page with dedication “9 Dicembre 1885 - All’egregio artista Cav. Neri Baraldi - Giovanni Bolzoni”


- Gordigiani, Luigi

Andantino con passione presumably unpublished “Dimmi Teresa… m’ami… rispondi” for voice and piano
1 music page applied to the Liber Amicorum - Musical signature on the front with dedication:
“all’amico Neri Baraldi - L- Gordigiani - Parigi 19 giugno 1855”


- Salvatore Auteri Manzocchi

Aria from Act I of Dolores

1 music page applied to the Liber Amicorum - Musical signature on the back
Handwritten note: “Dolores atto I° - Salvatore Auteri Manzocchi - Padova 2 luglio 1876”


- Mancinelli, Luigi

Andante - Barcarola in Cleopatra
1 page with dedication “All’amico car.mo Neri Baraldi - L. Mancinelli - Bologna 5 Dic. 1879”


- Auber, Daniel

Allegro moderato - piano
1 page with handwritten note “Paris, 5 ao?t 1861 - Auber”



- Cossoul, Guilhermo (Guillaume)

Andante ma non tanto for cello and piano
1 page with dedication “à son Ami Neri Baraldi - Souvenir de Guillaume Cossoul - Londres au 7 juillet 1863”


- Bazzini, Antonio

"Ballade” Andante for violin and piano
1 page with dedication “Milano 23/3 66 - All’Amico Neri BAraldi A. Bazzini"



- Marchetti, Filippo

from Ruy Blas - Act II - La Regina di Spagna “ Larva dorata del mio pensiero…” voice and piano
1 page with dedication “Al sig.r Neri Baraldi - F. Marchetti - Milano 24/1/74


- Ponchielli, Amilcare

Cavatina “Lina” from La Savojarda - voice and piano
2 pages with handwritten note: “Cavatina Lina nell’opera La Savojarda - Amilcare Ponchielli”


- Gomes, Antonio Carlos

From Salvator Rosa - Romanza - Isabella act III - Andantino moderato - Voice
1 page with handwritten note “ Milano li 2 aprile 1874 - A. Carlos Gomes”


- Mazzucato, Alberto

From Faust by Goethe - Voice and Piano - Margherita “ Ah! China china benigna…”
2 pages with handwritten note “A. Mazzucato - Milano, 3 Aprile 1874”


- Faccio, Franco

Fragment - Moderato for piano
1 page with dedication “all’ottimo amico Pierino F. Faccio - Milano aprile 1874”


- Capulani (?)

Musical score “quando ti vidi cinta di rose”
1 page with dedication “all’amico Neri Baraldi - (…) Capulani (?) - Cremona 24 7bre 75”


- Gounod, Charles

Musical score Andantino from “Cinq Mars”
1 page applied on the notebook with dedication “alla signora A. M. Fricci - Ch. Gounod”
(Antonietta Fricci was the wife of the tenor Neri Baraldi)


- Coronaro, Gaetano

Sheet music from “La Creola” - Moderato for voice and piano
2 pages with apostille and dedication: “ La Creola di Gaetano Coronaro - Bologna 26 Novembre 1878 -all’amico Pierino Baraldi ed alla bravissima interprete del suo primo lavoro Sig.ra Antonietta Fricci”
La Creola was the first major success of Coronaro, and the musical autograph was left just two days after the premiere which took place in Bologna on 24 November 1878 and the main character, Mirza, was entrusted to Fricci.


- Thomson, César

Musical score for violin and piano
1 page with dedication “Al gentile Signor Cav. Neri Baraldi - Bologna il 24 gennaio 86 -Cèsar Thomson”


- Valetta, Ippolito

Piano sheet “Quasi Minuetto”
1 page with dedication “Al gent.mo Sig. Cav. Neri Baraldi - Bologna 17 genn. 86 - Ippolito Valetta”


- Martucci, Giuseppe

Piano score “Allegretto”
1 page with dedication “Al Sig. Neri Baraldi - Bologna 17 ’86 - G.Martucci”


- Catalani, Alfredo

From the duet “Edmea” Act III - “Tu sei qui sul mio cor…” for voice and piano
Music paper applied on the notebook
1 pag. con dedica “All’Egregio Sig. Neri Baraldi - Milan, 2/11/86 - A. Catalani”


- Mascheroni, Edoardo

Piano score - Andantino
1 page with signature and date “E. Mascheroni - Bologna 2 dicembre 86”


- Heckmann, Robert

Violin score - tempo risoluto - Schumann Op. 41, no. 3
Handwritten note “Zu fwl. (…) in der Concert vor Heckmann u. Quartett in Köln - in Bologna um 30. Januar 87 - R. Heckmann”


- Clementi, Filippo

From “La Pellegrina” - Introduction for Horns in F and Timpani
1 page with signature and date (after the premiere) “Bologna Novembre 1890 - F. Clementi”


- Perosi, Don Lorenzo

Resurrezione di Cristo for voice and piano - Canto “Maria”
1 page with dedication: “Resurrezione di Cristo - D.L. Perosi - All’Egregio Sig. Neri Baraldi - Resurrezione di Cristo - Bologna 17.04.98”



- Richter, Hans

Various staves
1 page with dedication “Il mio primo concerto a Bologna - 1 . V . 1900 - Hans Richter”


- Fischer, Edwin

Ariette Variée - W.A. Mozart
1 page with handwritten note - Bologna 30.III.52 - Edwin Fischer.


Please note: If you're purchasing this lot from outside Italy, shipping times will be a bit longer than usual, due to the iter to get the required license of exportation.

查看翻译 此为自动翻译。 关闭

It Verbantiqua  专业经销商 顶级卖家

卖家信誉得分: 100%
评价总数: 43
注册时间: 2017年3月24日
  • 请注意:该页面的部分内容为系统自动翻译。
    Very fast and as described. Excellent.
    查看翻译 此为自动翻译。 关闭

    user-4d43de5 2018年7月16日

  • 请注意:该页面的部分内容为系统自动翻译。
    Description correct, quick and carefull shipping.
    查看翻译 此为自动翻译。 关闭

    disam 2018年7月15日

  • 请注意:该页面的部分内容为系统自动翻译。
    Il venditore è stato molto puntuale e la merce è stata ben imballata.
    Raccomando però al venditore di precisare numero di pagine e dimensioni dei libri!
    查看翻译 此为自动翻译。 关闭

    ENRSAG 2018年7月12日

  • 请注意:该页面的部分内容为系统自动翻译。
    Transazione Rapida, imballaggio perfetto, Venditore serio e Raccomandato +++
    查看翻译 此为自动翻译。 关闭

    rossiwal 2018年7月12日

  • 请注意:该页面的部分内容为系统自动翻译。
    Venditore Affidabile ed Eccellente!!! +++++
    查看翻译 此为自动翻译。 关闭

    Mrfood76 2018年7月12日

reviews_txt = reviews_txt.downcase 查看所有43 评价反馈

配送交付

款项一经收讫,卖家须在3个工作日内安排包装配送。

运输费用仅限于目的地至大陆的运送。
更多信息

配送费用

美国 €100.00
意大利 免费
其他欧洲地区 €40.00
其他地区 €100.00

如何节省配送费

您可从卖家地址上门自提: Scarperia e San Piero (Fi), 意大利.

如果你在同一个拍卖会上赢取同一个卖家多件拍品,你只需支付一次运费。你只需要支付拍品中的最高运费。"

很抱歉,我们不能接受您的竞拍

由于您有未付款项,您目前不能在Catawiki上竞拍任何拍品。

一旦您的付款被处理,您马上就能如常竞拍。请注意:如需用银行转账付款,您的支付可能需要多至2个工作日才能完成处理。因此,我们推荐您使用支付页面上显示的直接支付方式付款。

现在付款

X
尚未注册?
在Catawiki创建一个免费账户,您可以每周给我们拍卖会上拍卖的35,000件稀奇有趣物品出价竞投。
登录